Gardens in the Eye of the Beholder
DOWN TO EARTH
December/January 2004
By JIM LONG
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Jim Long has created many sacred spaces on his property, such as this herb garden and a gazebo he constructed himself.
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For many gardeners, the garden is a personal,
sacred space. It’s a place of meditation, of labor, of seeing
growth and progress. It’s a place to experience the joy of
participating in nature on a daily basis. The garden is spiritually
uplifting, from an artistic standpoint and from the sensory delight
of the food it produces. Sharing meals from the garden with friends
marries food and conversation, a pleasure that can’t be duplicated
in any other setting.
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Recently I visited my friends Don Haynie and Tom Hamlin at
Buffalo Springs Herb Farm in Raphine, Virginia. Over time, their
18th-century farmstead has expanded from a modest herb garden to
include an array of delightful vignettes and theme gardens with
shady arbors and hidden conversation areas. Strolling along the
pathways between garden buildings and an ancient log cabin, I was
struck by how their gardens are so intimate, yet so welcoming to
visitors seeking quiet space.
As Don guided me through the garden, we visited about what
happens to gardens when the gardener is gone. We talked about
Adelma Simmons’ famous Caprilands, once the mecca for herb
gardeners, with a restaurant, workshops and tours, which seemed
somehow lessened by her passing in 1997. Gardens are such a
reflection of the gardener’s personality and once the garden’s
author passes on, the garden often falls into disrepair. “What’ll
happen to your garden,” I asked Don, “when you are no longer
here?”
“I suppose someone will bulldoze it to make room for house
lots,” he said. “It’s not what I want, but it’s probably what will
happen. There doesn’t seem to be an alternative.”
Looking at my own garden, I see a small, personal space that
reflects my love for plants from a variety of cultures. These
plants represent my lifetime of work and travels. I consider my
modest little gift shop, the old barn that houses my goats and
chickens, my cluttered tool shed, and the little guesthouse where
friends and relatives have a private place to spend the night. I
look around at the bell tower and the upstairs deck where visitors
can see the garden below and the lake beyond. I can’t imagine my
garden as anything but this — a secluded farmstead, hidden and
peaceful, my own sacred space.