Tasha Tudor

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Most of Tasha’s property is undisturbed forestland, and she has several pastures for her goats, but the two or three acres surrounding the house and barns contain her wandering, overflowing gardens, edged and defined by stone terraces that descend into the countryside. At the height of summer, the garden is a vibrant display of spontaneity, exuberance, and an intense love of plants, and it was never planned on paper. “I’ve never made a garden design in my life. It just grows,” she says. It is cottage garden style—or, as she describes it, “a good messy garden.”

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Tasha’s orchard contains pear trees and crab apples that flower spectacularly in pink and white; thousands of bulbs, and more each year, flaunt their bright blossoms in early spring; the vegetable garden gives her steady harvests, much of which she puts by for the leaner seasons; and old-fashioned flowers bloom throughout the summer. Tasha has many garden passions, among them old roses, an heirloom dianthus collection planted in a fairy ring, peonies, huge stands of bleeding-hearts. Another is a mature, graceful herb garden with a massive, thirty-two-year-old potted bay tree at its center.

“I grow a lot of culinary herbs because I’m famous for my good cooking, of which I am inordinately proud—and it’s wholly due to herbs,” she says. Friends testify to Tasha’s expertise in the kitchen, learned in childhood from her Scottish nanny.

Tasha admits to having no modesty concerning her garden either. She loves the thymes and basils, and she grows marjoram, chives, the savories, and tarragon. She bundles and dries sage to sprinkle on her goat cheese. Chamomile seeds itself everywhere, and for tea and tonics she also gathers nettles and red clover that grow wild in the meadows.

Tasha enjoys shaping various herb plants into standards. The old bay that she brings into the house each winter (it wouldn’t survive outside in her climate, which straddles zones 4 and 5) can be seen in the watercolor painting of her herb garden that appears on The Herb Companion’s cover this issue. In real life, the bay is about 4 feet tall and “bigger than you can get your arms around,” Tasha says. She speaks nostalgically of a huge rosemary standard she had for many years that finally succumbed: “I’m going to get my son to carve me a spoon from the rosemary wood.” She even makes short-lived standards from thymes.

Tasha has said that fragrance is the foremost asset of any flower, which explains why the lavenders and rosemaries rank among her favorites in the entire garden. Clumps of valerian send up white clouds of flowers, and stalks of foxgloves tower over her head. Tasha grows these not for their medicinal value, but for the beauty or fragrance of their flowers, alongside her hollyhocks, delphiniums, and Canterbury bells, and she’d rather call them by their common names, so much more evocative and euphonious than proper Latin botanical names. She collects flowers much as she does her other favorite things, such as old toys, animals, and antique clothing.

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