Tasha Tudor

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The art of living

Tasha views her artwork with this same brand of horse sense. “My drawing is only a means to an end. When people talk about my creativity, that’s nonsense. It’s a case of the wolf at the door. I do it to support my corgis and my four children.” Her remarkable publishing record, the number of magazine stories that have been written about her over the years, and her legion of admirers haven’t swayed her from a hard-headed practicality about the need to earn a living. Her elaborate, delicate artwork, often framed by borders filled with vignettes from her life, supports her garden, her menagerie, and her implacable mind-set.

Much of Tasha’s artwork and her reading are done in the wintertime. “I love the winter. It’s delightful,” she says. “I don’t have to go anywhere because I work at home. If I’m snowed in, I can stay this way for months.” She hopes for early, deep snow to protect her garden from the harshness of the New England winter, and when it comes she puts on snowshoes when she needs to get down the mile-long dirt path that leads to the road.

Given her enjoyment of winter and her fantasy way of life, it’s not surprising that Tasha’s Christmas is a storybook holiday. She hangs garlands of laurel over the front door and swags of hemlock in the barn. Her tree comes from the woods, and it goes up on Christmas Eve, lit by homemade candles of carnauba wax and beeswax and decorated with her great-grandmother’s collection of delicate ornaments that date from 1850, as well as cornucopias filled with homemade pralines, butter toffees, vanilla cream caramels, taffy, and fudge. In a place of honor on the tree are large gingerbread cookies cut into the shapes of her animals. (The recipe for these cookies, which also adorned the White House Christmas tree during the Johnson administration, is given below, along with her good-eating gingerbread recipe. Both are from The Tasha Tudor Cookbook by Tasha Tudor, ©1993 by Tasha Tudor, reprinted by permission of Little, Brown and Company.)

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